As Augustine moves closer to submission under biblical authority, which is accomplished in the Milanese garden at the end of Book VII, it has already been noted that a certain “wager” in the midst of his suspicions put him in a place to receive catholic teachings about and from the Bible before the garden scene. An important detail in Augustine’s wager was skipped over, and must be revisited.
Before the wager could have happened, Augustine had to be given the smallest glimmer of hope with regard to the Bible. Even though something may promise infinite gain for the gambler, if there is no likelihood of achieving it, then there is no wager: if the Bible were to have no possible refutation for the Manichæan attacks, then the Bible and the Church that teaches from it are not at all an option. But in Book V, Chapters xiii-xiv, just before Augustine becomes a catechumen, he takes the words of Ambrose to heart. Ambrose’s influence on Augustine’s thinking, especially with respect to the Old Testament, cannot be passed over.
In brief, Augustine listens to Ambrose only because the latter is a renowned rhetorician. He wishes to hear how well Ambrose speaks, and does not care of what. But in the listening, what is said eventually takes hold of Augustine and infiltrates some of the Manichæan strongholds, undermining their attack on the Old Testament’s validity.
This brings up the earlier consideration of style and content in the episode about Cicero’s Hortensius. Just as in the reading of that book, here with Ambrose he approaches him desiring to get some great rhetorical training; and just as with that book, the content of some of the words slips in. He weighs the words carefully, and finds Ambrose to be worthy of his fame. And despite trying to keep his mind off the content, he is able to note the effect of Ambrose’s message, at least in retrospect:
And verily with the sweetness of his discourse I was much delighted: which, however it were more learned, yet was it not so pleasing and inveigling as Faustus his was, the manner of the oratory I mean, though for the matter there was no comparison. For Faustus did but rove up and down amongst his Manichæan fallacies; but Ambrose taught salvation most soundly. But salvation is far enough from sinners, such as I was at that instant; and yet I drew little and little nearer toward it; but how, I knew not.
At least twice before—the reading of the Hortensius and the refutation of Faustus—has a great rhetorician changed Augustine’s mind, he being quite unable to explain how. The Hortensius gives him beautiful words and yet dissuades him from the career path of a lawyer, in which Augustine has been planning to put such words to money-winning use. Next Faustus gives him beautiful words and yet simultaneously shows the inadequacy of Manichæan thought behind the words. And here again Ambrose gives him beautiful words whose effect on him is unanticipated.
In a previous post the effect of these words was described as the deciding factor in the wager to become a catechumen. What is of interest here is the role Ambrose the human teacher has in relation to the Old Testament, which consists of supposedly “God-breathed” words, as at 2 Timothy 3.16, whose authority is the question of most of the Confessions. Of Ambrose there is no question that Augustine thinks of him as an angel of God: “To him was I led by thee, unknowing, that by him I might be brought to thee, knowing it.” According to God’s own plan, it seems, Ambrose is a necessary part of Augustine’s journey. He is responsible for changing Augustine’s views of the Old Testament, at least just enough to expose him to the remainder of biblical doctrines and allow for a non-literal hermeneutic. The Bible, though, apart from Ambrose, would have forever been subject to the abuses of the Manichæan interpretations and dismissals. It, being in need of interpretation at all, was unable to defend itself in the world. So we return to the point brought out in Plato’s Phædrus about writing.
With this instance, it seems that the Bible is need of defending. It seems that even it, as a text, is not exempt from the dangers associated with writing. Does Augustine also think of it as merely an excellent specimen among the infinitude of books?