Only tonight did I finally finish Till We Have Faces, a novel by C. S. Lewis that draws upon the myth of Eros and Psyche. Rather than write a book review, I will simply give my recommendation, and share some tangential thoughts of my own gained from the reading. I think this is a book for anyone, regardless of any other like or dislike for Lewis and his other works. And anyone, in this case, means just about anyone, but I’ll add this caveat: as I find often with Lewis, the prose is simple enough for young readers, but the content is (how to put it?) adult, mature, full, extreme, intense, not for most young readers.
I noted some clear similarities in TWHF to The Four Loves and The Great Divorce, especially in dealing with the perversion of “mother love” and the conflation between love and devouring. Very compelling. I have more thinking to do on the matters of love, or (to follow Lewis a little closer) on the matter of loves. I think some of the stuff from TWHF will enrich my reading of Kierkegaard’s Fear and Trembling, which is next on my list.
What has my head spinning is the tension and conglomeration, as delivered by Lewis, of “paganism,” historical “Christianity,” myth, and the nature of the gods. The power of this work rests somewhere between, on the one hand, the failure of the philosophic account of the gods and, on the other, the inanity of obscure, sterile, merely allegorical myth—or more to the point, the inanity of merely allegorical interpretation of myth. Here, between philosophy and allegory, is the place where men and gods meet each other face to face. And what about this meeting? The gritty ugliness of pagan worship has, for Lewis (and for me), a kind of tangibility and truth above the sophisticated contemplation of the “Divine Nature” that is at once obviously Greek and also recognizably part of the history of the Christian religion. A god untouched by human art has a power of speech, a connection to what is visceral in us, that a beautiful marble statue cannot have. This latter god, crystallized by poetry, by sculpture, by theology and explanation, by moralizing, by merely allegorical myth—humans have so veiled and covered this god with their art that he does not meet with them, for this refinement of the image of the god is also a self-veiling, a hiding away, a denial of what is visceral and therefore the height of all dishonesty. They fashion a face for the god and lose their own faces, so that even when they come to the new god they have themselves no eyes to see and no ears to hear. And I think Lewis would be on track to point at modern and historical Christianity and say that we, or some of us, in our sophistication and high art, have exchanged the truth about God for a lie, the glory of the immortal God for images resembling mortal man and birds and animals and creeping things….
Let’s see what Kierkegaard might say to this.